The Ladywellephant- a charity elephant all about Ladywell!

A little while ago (ahem!) the lovely Slater & King in Ladywell asked me to create another painting to go on a model of a baby elephant which could then be raffled off with all proceeds going to charity. This time round the ele was only a miniature (aww!) and to celebrate the lovely area of Ladywell I dedicated the whole design to the area of South East London, my old home not so long ago. The mural features Hilly Fields park, the view into central London, the cafes, several dogs, my cat who sneaked in amongst the flowers and Slater & Kings shop too! Tickets can be bought from Slater & King but hurry there's only a week or so to go as the raffle ends Christmas Eve. All proceeds go to the charity Signal supporting parents of children with Autism.

Brighton Open House- Christmas

I'm currently taking part in the Christmas Artists Open Houses event. My work is back up on the walls of Bluebell Would at 45 Westbourne Gardens Hove and you can see buy my prints, Christmas cards, greeting cards and badges as well as the work of lots of other talented artists (Bluebell Roebuck, Del Thorpe, Margaret McGregor Betts, Ruth Mullan, Leonor Berichevsky, Mark Charlton, Alexis Rayner and Helen Chong.

This coming weekend (13-14th December) is the last weekend and the house is open 11am- 5pm. Check out the Artists Open Houses website to plan your visit to over 50 venues across Brighton and Hove. 

Here are a few of my pictures from last weekend...

Vicky Scott

 Vicky Scott

An Open House Cat!

 Del Thorpe

 Ruth Mullan

 Leonor Berdichevsky

Some Santas

& the beautiful West Pier

Pleased to Eat You - Postcards for a short Film

A couple of months ago I created 3 illustrations to accompany a short film called "Pleased to Eat You" by film director Adrian Hedgecock. The short film is humorous tale of 3 friends stranded at sea with a predicament and is influenced by 1920's and 30's Art Deco and musicals and features dancing girls, pirates and much much more! My brief was to focus on 3 scenes from the film and expand on them letting my imagination run away! I chose a scene featuring a cannibalistic fish, a French restaurant at sea and the finale featuring lots of dancing girls with vegetables! The postcards are being given away to supporters of the films crowd funding campaign. To see clips of the film and find out more about contributing visit their website. (Only a few days left though to contribute to help fund the special effects the campaign ends December 8th!)

Top Sante Dreams Illustrations

I was asked back to create 2 more illustrations for this months Top Sante magazine. The feature I was given to illustrate was on dreams, taking control of them to solve problems, in therapy and  to wake up happier. The lady in the piece is managing to harness the power of dreams to  get over a relationship. In the second smaller illustration the same character is dreaming of a scenario she wants to solve so has taken an image of the problem to bed with her to help her mind focus on it when she dreams. The illustrations are in November's issue of the magazine.

Art Exhibition at Flaxon Ptootch

This month I'm exhibiting a couple of original collages (The Witch & the Rainbow Cat and Stereovenus) and lots of new and older prints at Flaxon Ptootch, a trendy hairdressers and art gallery in Kentish town. It's great to be able to display the originals collages and show how they were created (and how much work went into them!) as well as a couple of newer pieces like Baby Jane in Acapulco and Song of the Siren.

Alongside my work are the paintings, drawings and prints of my talented friend Hannah Pratt. Her work like mine is very brightly coloured and focuses on creating imaginary worlds although she's also a huge sci-fi fan as you can tell by some of her designs names!

The exhibition is on till the 10th November. If you're interested in any of the pieces on show please do get in touch with the staff at Flaxon Ptootch or myself or Hannah. (My prints retail from £25 for a mini print, £100 for a 40 by 50 cm print unframed and £135 for a framed one). Below are some photo's of the private view from a couple of weeks back- thanks to everyone who came, especially Carl 2 Bob for providing the tunes!

 

Health Illustrations for Top Sante Magazine

I was pleased to be asked back to create another 2 illustrations for October’s issue of Top Sante magazine. They are to accompany an article on the health questions every women should ask. I wanted to keep a positive feel to the illustrations by using bright colours and uplifting imagery, although I did need to include 1 or 2 medical items for pills and blood pressure. To make it clear what all the issues were, I was asked to add type which I really enjoyed making by hand (and think are pretty successful even though I do say so myself!). Hopefully I'll be able to do more handmade type soon. The magazine is out now.

Curious Duke Blog Post

A while ago I was asked by the Curious Duke Gallery to write a blog post on my advice for creatives. I've not written for AGES so thought this would be a great chance to share my experiences. You can see my work on their site here

Things I wish I'd known when I graduated...

1. Say yes... to things that scare you

By this I don't mean any extreme sports or living in a war zone. Any way of working that is just a bit outside your comfort zone (from new subject matter, to working with different people or places) can be exciting and hugely beneficial to you and your practise. A few years ago I submitted a design that would be painted on a life size model of a baby elephant for the Elephant Parade charity. To my surprise the design was accepted, which was amazing, but did leave me with the daunting task of painting on a mammoth scale something I've never done before! However the design sold raising £1000's of pounds for a good cause who I've had the pleasure of working with several times.

2. Say no!

After graduation you can find yourself with a lot less time on your hands (often having to juggle your creative work alongside non art jobs). It's worth being selective with who or what you give your time to. Initially I always said yes to everything, but after a while you can find yourself constantly busy doing "stuff" but not necessarily the best you could be in terms of for your art, your own enjoyment or for your bank account. Ask around, visit events you're thinking of doing, carry out online research. It might take a little longer but it's worth making your time count.

3. It's great "exposure"

Lots of organisations from the up and coming to household names are on the lookout for artists to work with on the basis of paying you in "exposure". Whilst I don't believe no is always the right answer (an amazing charity close to your heart for example) be suspicious of big brands trying to take advantage of you. Working for free, certainly in the illustration market devalues our artistic practise and in the long term harms our industry. After all who will pay for something that someone will do for free. 

4. Trust your gut

Sometimes your senses tell you that something just isn't right. It's the same in any industry but in the freelance art work, where lots artists just want to "make it" there are always going to be some time wasting clients and unscrupulous characters out there. I once received an email from a suspicious individual who wanted to buy several original pieces from me (using bouncing cheques!) By no means is everyone out to get you either but if it sounds too good to be true it probably is. (Selling artwork with the Curious Duke Gallery is a much more enjoyable experience!)

5. Keep Learning

Keep up to date with your peers, techniques, style, technology and anything else relevant to your practise. For me following blogs that drop posts in your inbox makes this much easier (my favourites are Red Lemon Club- great advice for all creative businesses, Illustrators Union- for illustrators and Pikaland ).

6. Log off (once in a while)

I must admit I love the internet and can't imagine trying to work as an artist without it, from getting inspiration to actually getting commissions. However, there is nothing I repeat nothing as distracting when creating artwork than seeing your inbox slowly fill up, your twitter feed or sometimes just being sent down a Pinterest wormhole. A friend of mine used to say she logged in to check her emails twice a day and I think that's a pretty good rule. Once you've got what you wanted shut everything down so you can concentrate on your artwork.

7. Be nice (and reliable, professional, honest, punctual...ect)

Self explanatory this one and even truer in a creative environment when jobs and opportunities are often word of mouth recommendations (making getting work in the first place so much easier). No one wants to work with a diva.

8. Find some friends

Unless you can afford a studio once you're out of art school, life as an artist can be a solitary one. Although family and regular friends are great sometimes it's good to meet up with other creative's as it's a great chance to chat about burning professional issues, show and tell, share contacts and yes occasionally have a moan too. I meet up with Yo Illo (a monthly illustrators meet up in London) and with the super helpful Brighton's Etsy team but lots of cities have their own.

9. Be your own Cheerleader

Sounds cheesy I know, but when you're bashing out artwork or plugging away trying to get that gallery/ magazine/ individual to take notice of your work, it's easy to get dispirited. I think keeping an eye on how you feel about your own work and practise is really important, like team morale in an office. If you feel crap about your artwork then you're not going to  want to create. It's also going to make promoting and selling your stuff a whole lot harder too if you don't think it's up to much. I try to look at past work that I was really happy with and talk to other creative's (compliments work wonders!) to try to get through the negative stage. (Also try to avoid comparing yourself to other artists too, just because their art/ career looks amazing on paper doesn't mean anything!)

10. Get Opinions... and ignore them

Getting other peoples (honest) opinions is useful and harder to come by after your degree when the days of crits are over. It's great to identify a group of people you trust whether they are fellow artists, family or your twitter followers who you can ask a question and get an opinion. (I do this quite a lot on my Facebook page!) However, the trick is to take advice on board but know when to use it and if you have a gut feeling on something then go with it. After all it's just someone else's opinion. And these were just a few of mine.

Volkswagen Facebook Illustrations

Last month I created 9 illustrations for Volkswagen's Swiss Facebook page, through my agent Illustration Limited. The client wanted a happy family of 4 and liked my textured collage style. I played around with bits of crumpled paper, clothes and envelopes to get the effect although I also used Photoshop for the detailed faces and other bits and pieces (there were 9 illustrations!)

The brief was to create a family in a series of different scenarios to promote the new Volkswagen Sportsvan. At the end of each post would be a question referring to the scene and the audience would be encouraged to get in touch with their suggestions to win a prize. The illustations are now live. https://www.facebook.com/volkswagen.ch?fref=ts

Bluebell Would Brighton Open House

We're now halfway through the Brighton Open House exhibition. Here are a few pictures I took of my work and some of the other fantastic artists when I was invigilating at Bluebell Would's lovely house in Hove just off the seafront. The exhibition is on till 25th May every weekend day. http://aoh.org.uk/may-2014-festival-houses?item=1252

Bluebell Would- photography

 Del Thorpe- Illustrations

 Mark Charlton- Mixed media

 My artwork!

 Ruth Mullen- glass

 Sewloveleigh- dolls and gifts

And not forgetting 1 of 3 cats!