Health Illustrations for Top Sante Magazine

I was pleased to be asked back to create another 2 illustrations for October’s issue of Top Sante magazine. They are to accompany an article on the health questions every women should ask. I wanted to keep a positive feel to the illustrations by using bright colours and uplifting imagery, although I did need to include 1 or 2 medical items for pills and blood pressure. To make it clear what all the issues were, I was asked to add type which I really enjoyed making by hand (and think are pretty successful even though I do say so myself!). Hopefully I'll be able to do more handmade type soon. The magazine is out now.

Curious Duke Blog Post

A while ago I was asked by the Curious Duke Gallery to write a blog post on my advice for creatives. I've not written for AGES so thought this would be a great chance to share my experiences. You can see my work on their site here

Things I wish I'd known when I graduated...

1. Say yes... to things that scare you

By this I don't mean any extreme sports or living in a war zone. Any way of working that is just a bit outside your comfort zone (from new subject matter, to working with different people or places) can be exciting and hugely beneficial to you and your practise. A few years ago I submitted a design that would be painted on a life size model of a baby elephant for the Elephant Parade charity. To my surprise the design was accepted, which was amazing, but did leave me with the daunting task of painting on a mammoth scale something I've never done before! However the design sold raising £1000's of pounds for a good cause who I've had the pleasure of working with several times.

2. Say no!

After graduation you can find yourself with a lot less time on your hands (often having to juggle your creative work alongside non art jobs). It's worth being selective with who or what you give your time to. Initially I always said yes to everything, but after a while you can find yourself constantly busy doing "stuff" but not necessarily the best you could be in terms of for your art, your own enjoyment or for your bank account. Ask around, visit events you're thinking of doing, carry out online research. It might take a little longer but it's worth making your time count.

3. It's great "exposure"

Lots of organisations from the up and coming to household names are on the lookout for artists to work with on the basis of paying you in "exposure". Whilst I don't believe no is always the right answer (an amazing charity close to your heart for example) be suspicious of big brands trying to take advantage of you. Working for free, certainly in the illustration market devalues our artistic practise and in the long term harms our industry. After all who will pay for something that someone will do for free. 

4. Trust your gut

Sometimes your senses tell you that something just isn't right. It's the same in any industry but in the freelance art work, where lots artists just want to "make it" there are always going to be some time wasting clients and unscrupulous characters out there. I once received an email from a suspicious individual who wanted to buy several original pieces from me (using bouncing cheques!) By no means is everyone out to get you either but if it sounds too good to be true it probably is. (Selling artwork with the Curious Duke Gallery is a much more enjoyable experience!)

5. Keep Learning

Keep up to date with your peers, techniques, style, technology and anything else relevant to your practise. For me following blogs that drop posts in your inbox makes this much easier (my favourites are Red Lemon Club- great advice for all creative businesses, Illustrators Union- for illustrators and Pikaland ).

6. Log off (once in a while)

I must admit I love the internet and can't imagine trying to work as an artist without it, from getting inspiration to actually getting commissions. However, there is nothing I repeat nothing as distracting when creating artwork than seeing your inbox slowly fill up, your twitter feed or sometimes just being sent down a Pinterest wormhole. A friend of mine used to say she logged in to check her emails twice a day and I think that's a pretty good rule. Once you've got what you wanted shut everything down so you can concentrate on your artwork.

7. Be nice (and reliable, professional, honest, punctual...ect)

Self explanatory this one and even truer in a creative environment when jobs and opportunities are often word of mouth recommendations (making getting work in the first place so much easier). No one wants to work with a diva.

8. Find some friends

Unless you can afford a studio once you're out of art school, life as an artist can be a solitary one. Although family and regular friends are great sometimes it's good to meet up with other creative's as it's a great chance to chat about burning professional issues, show and tell, share contacts and yes occasionally have a moan too. I meet up with Yo Illo (a monthly illustrators meet up in London) and with the super helpful Brighton's Etsy team but lots of cities have their own.

9. Be your own Cheerleader

Sounds cheesy I know, but when you're bashing out artwork or plugging away trying to get that gallery/ magazine/ individual to take notice of your work, it's easy to get dispirited. I think keeping an eye on how you feel about your own work and practise is really important, like team morale in an office. If you feel crap about your artwork then you're not going to  want to create. It's also going to make promoting and selling your stuff a whole lot harder too if you don't think it's up to much. I try to look at past work that I was really happy with and talk to other creative's (compliments work wonders!) to try to get through the negative stage. (Also try to avoid comparing yourself to other artists too, just because their art/ career looks amazing on paper doesn't mean anything!)

10. Get Opinions... and ignore them

Getting other peoples (honest) opinions is useful and harder to come by after your degree when the days of crits are over. It's great to identify a group of people you trust whether they are fellow artists, family or your twitter followers who you can ask a question and get an opinion. (I do this quite a lot on my Facebook page!) However, the trick is to take advice on board but know when to use it and if you have a gut feeling on something then go with it. After all it's just someone else's opinion. And these were just a few of mine.

Volkswagen Facebook Illustrations

Last month I created 9 illustrations for Volkswagen's Swiss Facebook page, through my agent Illustration Limited. The client wanted a happy family of 4 and liked my textured collage style. I played around with bits of crumpled paper, clothes and envelopes to get the effect although I also used Photoshop for the detailed faces and other bits and pieces (there were 9 illustrations!)

The brief was to create a family in a series of different scenarios to promote the new Volkswagen Sportsvan. At the end of each post would be a question referring to the scene and the audience would be encouraged to get in touch with their suggestions to win a prize. The illustations are now live. https://www.facebook.com/volkswagen.ch?fref=ts

Bluebell Would Brighton Open House

We're now halfway through the Brighton Open House exhibition. Here are a few pictures I took of my work and some of the other fantastic artists when I was invigilating at Bluebell Would's lovely house in Hove just off the seafront. The exhibition is on till 25th May every weekend day. http://aoh.org.uk/may-2014-festival-houses?item=1252

Bluebell Would- photography

 Del Thorpe- Illustrations

 Mark Charlton- Mixed media

 My artwork!

 Ruth Mullen- glass

 Sewloveleigh- dolls and gifts

And not forgetting 1 of 3 cats!

Brighton Artists Open Houses

I'm excited to be involved in my first Brighton Open house. Every May, over 200 of the cities artists throw open their homes and studios for visitors to take a peek behind the scenes.

I'm part of Bluebell Would's open house in Hove and will be showing some of my prints, greeting cards and badges alongside several other wonderful artists and designers, including fellow illustrator DelThorpe and Bluebell herself. 

There's a private view on Friday 2nd May from 8pm and then the exhibition is open the first 4 weekends in May 11am till 5pm. (If you'd like to say hello I'll be there on Saturday 3rd and Sunday 18th May)

45 Westbourne Gardens, Hove, BN3 5PN

For more Info Visit AOH website

Top Sante Magazine

A month or 2 ago I was asked to create 3 illustrations for the Therapy issue of Top Sante magazine. My brief was to illustrate 3 new types of therapy, (interacting with horses, art therapy and even getting therapy over skype). I wanted to illustrate the calming influence of these alternative forms of therapy on patients so created 3 magical countryside scenes in the background to complement the main form of therapy happening in each piece. You can see my illustrations in May's issue on sale now.

The Cats of Cadaques!

Back in Summer 2012 I went on holiday to the French Pyrenees, Collioure, Barcelona and my favourite Cadaques (a beautiful town on the Costa Brava coast, full of white buildings, artists and cats!) I loved staying there seeing Dali's mad house, attempting to speak Spanish and greeting the large number of cats who live there (there's a cat sanctuary). I was determined to create a picture based on my Cadaques (and Barcelona) and finally it's done! Hope you like my psychedelic take on Cadaques, featuring a jazz cat, the Cheshire cat and a Dali cat painting the whole scene!

It's also been accepted into the CueB open Exhibition held at South London's Brockley Mess in February/ March every year. (Private view Friday 21st Feb 7-9pm).